Twitter Updates for 2010-09-24

  • @DVDGeeks You know, if you do that too much, you'll go blind. in reply to DVDGeeks #
  • @kaylai Thanks for the birthday wishes all the way from England to Sydney! Hope to get there someday myself… And see you again, too… in reply to kaylai #
  • Testing Accordion Forms http://is.gd/foxVr #ixd #
  • Generations X and Y Lead the Way in Today's Digital World http://is.gd/foy5K #
  • @kaylai Well, I hope to get there but I'm working in Sydney for a while… And the ability to get back to the states for that is limited… in reply to kaylai #
  • One drawback to being in Sydney… It's really hard to do realtime truthfully with my pals in the US when my work day is their night… #
  • And one benefit to Sydney… The lineup of Fox Classics is what TV Land used to be… #
  • @JakCharlton I celebrated it by having second breakfast. Then elevenses! in reply to JakCharlton #
  • Rewatching The Living Daylights. The movie aged semi-well… But I have decided I like Lazenby's take on Bond a lot more than Dalton's. #
  • Without knowing what it was I just watched five minutes of the Catwoman movie w/Halle Berry. A mistake I won't repeat. #
  • Sometimes I REALLY hate it when design inspiration hits me at 10:40 in the evening. Sleep, you'll have to wait a while… #
  • @BenAlabaster I'm a firm believer in the Ubiquitous Capture Device – i.e. pen and paper near at all times. No power needed, it's always on. in reply to BenAlabaster #
  • @idtmusic Bond is to valuable a property to be permanently retired. MGM may soon go away, but James Bond WILL return in… some way. in reply to idtmusic #
  • Speaking of Bond, you can really tell that Living Daylights was written for Roger Moore and extra "seriousness" was added for Dalton. #
  • And there are some really jarringly "off" dubs in LD of Dalton doing Bond "quips" that were clearly added in post production looping. #
  • As I've told friends, Reboot Bond retro-style: Set it in the 60s, with the Russians as bad guys. By Pixar, w/Brad Bird directing. EPIC WIN. #

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